It is very rare I am captivated by an album upon first listen. Even with artists I have come to enjoy the most, the best seem to take time to sink in before they can be fully appreciated. Comrades' Lone/Grey is a different story. Receiving this release before its street date felt like being let in on a well-kept secret, and, in a way, it was. The Virginia-based three piece are an enigma. For a band that has nearly a decade of experience, they display a lean discography to say the least, with 2014's instrumental Safekeeper being the only other full-length of which to speak. Admittedly, that album is technically sound, even impressive at times, but it does not adequately suggest where they currently stand. To be certain, Comrades has spent the last eight years preparing to take center stage and they are more than ready now.
Above all, Lone/Grey is a complete work. To examine each track for its own merit would feel out of context and undoubtedly compromise its essence, which many would argue is the mark of a truly great album. That being said, the space between "Synchronous" and "Shepherd's Hymn" is one of the more striking moments on the release, a place where melody becomes the centerpiece and the album breathes. "That We May One Day Be The Same" is also notable, combining many of the best elements from the prior tracks into a worthy conclusion. Somehow, the album's progression suggests a topography not unlike natural landscapes, with intentional peaks and valleys that ensure synergy between its distinctions and make the whole much greater than the sum of its parts.
Judging from prior works, Comrades have traded technical proficiency for emotional conveyance, a point likely best represented by the introduction of vocals. Unlike many modern artists, the voices of the musicians are not meant to add immediacy. Instead, they function as another instrument, challenging the listener to engage in the entirety of the piece rather than shirk towards a familiar sound. And while within Lone/Grey there still lies the same dichotomies of tune and noise, singing and screaming, silence and sound, they are pieced together in a manner that is both whole and new. In this way, Comrades accomplish something extraordinary.
In short, Lone/Grey is a testament to Comrade's maturation, a career igniting effort, and quite possibly the best post-hardcore album of 2016.- Review date: 10/5/16, written by Jeremy Barnes of Jesusfreakhideout.com
|comments powered by Disqus|
|Jesusfreakhideout.com Celebrates 24 Years with the Release of "Songs We've Been Trying To Tell You About (And Others We Haven't), Vol. 9"|
Thu, 13 Aug 2020 18:30:00 EST
|Tauren Wells Releases "Millionaire (Good Like That)" Official Music Video feat. Kirk Franklin|
Thu, 13 Aug 2020 15:20:00 EST
|NEEDTOBREATHE Debut Official Music Video for New Song, "Hang On"|
Thu, 13 Aug 2020 15:10:00 EST
|51st Annual GMA Dove Awards Nominees Announced Today|
Thu, 13 Aug 2020 14:00:00 EST
|Black River Christian Announces The Signing Of Wildfire Worship Collective|
Wed, 12 Aug 2020 22:00:00 EST
|Earnest Pugh To Release New Book, "Abiding in the Place of Worship"|
Wed, 12 Aug 2020 22:00:00 EST